Dating old picture frames

16-Oct-2019 22:47

The development comes after a 30-year period during which the austere look reigned in framing and thin strips of metal or wood, painted black, silver or gold, were all the rage.Now, elaborately carved or molded frames that were banished as too decorative in the 1950's by modernist architects and Abstract-Expressionists are making a comeback. Reymert founded the gallery in 1966, they have used antique frames in exhibiting English and Continental paintings and drawings, dating from 1780 to 1920.No wonder that the critic Félix Fénéon (who was himself born in 1861) was later to write that, The rules of the Salon were highly specific about the types of frame which might be used: hence the oval frame prominent in Richebourg’s photo was backed with a rectangular board to give it the correct shape, while only gilded frames were admissible until 1879, when black and polished wooden frames were finally accepted. This engraving of the scene at the Royal Academy in 1787 could equally be another view of the 1861 French Salon, but for the costumes of the spectators.The same dense hang of paintings, and the same iteration of 17th and 18th century frame designs, was common throughout Europe well into the 1860s and 1870s…By 1977 the demand for 19th- and early 20th-century frames had escalated so dramatically at the gallery, that the dealers decided to set up a separate division to supply frames to collectors, museums and other clients for art works acquired both at the gallery and elsewhere.

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The gallery also offers in house cleaning and restoration of paintings and frames.Pierre-Ambroise Richebourg (1810-75), The Paris Salon in 1861, Photograph, Bibliothèque Nationale, Paris Frame designs became stuck in the reproduction of much earlier styles, as can be seen from Richebourg’s photos of the 1861 annual Salon in Paris .Here pastiches of French and Italian Baroque patterns rub shoulders with a large number of Neo Classical revival frames. Ramberg, , engraving, 1787, V & A Museum In Britain the general style of framing and close hanging of pictures at the annual Royal Academy exhibitions remained very much the same throughout much of the 19th century as it was in France – and as it had been in the late 18th century.Viewing at Conzen, Düsseldorf, Germany: 12th – 22nd November 2016.Conzen’s 13th annual auction, offering picture frames up to four centuries old, will be held on November 22nd – but this year via state-of-the-art online auction technology.

The gallery also offers in house cleaning and restoration of paintings and frames.Pierre-Ambroise Richebourg (1810-75), The Paris Salon in 1861, Photograph, Bibliothèque Nationale, Paris Frame designs became stuck in the reproduction of much earlier styles, as can be seen from Richebourg’s photos of the 1861 annual Salon in Paris .Here pastiches of French and Italian Baroque patterns rub shoulders with a large number of Neo Classical revival frames. Ramberg, , engraving, 1787, V & A Museum In Britain the general style of framing and close hanging of pictures at the annual Royal Academy exhibitions remained very much the same throughout much of the 19th century as it was in France – and as it had been in the late 18th century.Viewing at Conzen, Düsseldorf, Germany: 12th – 22nd November 2016.Conzen’s 13th annual auction, offering picture frames up to four centuries old, will be held on November 22nd – but this year via state-of-the-art online auction technology.Begin van een dialoogscherm, inclusief navigatie met tabs om een account aan te maken of op een bestaand account aan te melden.